| |  Poetry: July 18, 2018 Issue [#9013]  | 
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  This week: Randall JarrellEdited by: Stormy Lady   More Newsletters By This Editor
  
 
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 1. About this Newsletter
 2. A Word from our Sponsor
 3. Letter from the Editor
 4. Editor's Picks
 5. A Word from Writing.Com
 6. Ask & Answer
 7. Removal instructions
 
 
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 | This is poetry from the minds and the hearts of poets on Writing.Com. The poems I am going to be exposing throughout this newsletter are ones that I have found to be, very visual, mood setting and uniquely done.  Stormy Lady  | 
 
 
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 | The Orient Express by Randall Jarrell
 
 One looks from the train
 Almost as one looked as a child. In the sunlight
 What I see still seems to me plain,
 I am safe; but at evening
 As the lands darken, a questioning
 Precariousness comes over everything.
 Once after a day of rain
 I lay longing to be cold; after a while
 I was cold again, and hunched shivering
 Under the quilt's many colors, gray
 With the dull ending of the winter day,
 Outside me there were a few shapes
 Of chairs and tables, things from a primer;
 Outside the window
 There were the chairs and tables of the world ...
 I saw that the world
 That had seemed to me the plain
 Gray mask of all that was strange
 Behind it -- of all that was -- was all.
 But it is beyond belief.
 One thinks, "Behind everything
 An unforced joy, an unwilling
 Sadness (a willing sadness, a forced joy)
 Moves changelessly"; one looks from the train
 And there is something, the same thing
 Behind everything: all these little villages,
 A passing woman, a field of grain,
 The man who says good-bye to his wife --
 A path through a wood all full of lives, and the train
 Passing, after all unchangeable
 And not now ever to stop, like a heart --
 It is like any other work of art,
 It is and never can be changed.
 Behind everything there is always
 The unknown unwanted life.
 
 The Death of the Ball Turret Gunner
 By Randall Jarrell
 
 From my mother’s sleep I fell into the State,
 And I hunched in its belly till my wet fur froze.
 Six miles from earth, loosed from its dream of life,
 I woke to black flak and the nightmare fighters.
 When I died they washed me out of the turret with a hose.
 
 On May 6, 1914, in Nashville Tennessee, Owen Jarrell and wife Anna Campbell Jarrell welcomed son Randall into their family. Owen moved his family to California to open a photography studio. His business didn’t fare well and eventually led to the couples divorce. Anna moved back to Nashville with Randall and his younger brother Charles. Back in Nashville Jarrell went to school and fell in love with the write word. He spent a lot of time at the Carnegie Library reading. Jarrell was an excellent student. To help his mother out Jarrell got a job as a newspaper boy and sold Christmas paper door to door.
 
 Jarrell earned his Bachelor’s degree in 1935 and Master’s in 1938, from Vanderbilt University. At Vanderbilt University he studied with Robert Penn Warren and John Crowe Ransom, and was mentored by Allen Tate. After getting his Master’s Jarrell went to Kenyon College in Ohio, working there as an instructor. Jarrell went on to teach at the University of Texas, followed by a positions at Sarah Lawrence College, then the University of North Carolina and the University of Cincinnati. Jarrell had a visiting
 professorships at Princeton, and the University of Illinois.
 
 In 1942 Jarrell enlisted in the United States Air Force. He started training to become a flying cadet but failed to qualify. He then became a celestial training navigator in Tucson, Arizona. It was during this time he began writing about the war and the military life he was exposed to. He wrote  “The Death of the Ball Turret Gunner,” and published his first book of poetry, “Blood for a Stranger,” in 1942. Followed by his next two books,”Little Friend, Little Friend, published in 1945 and “Losses” in 1948.  Jarrell wrote many reviews for literary magazines and a book of essays, “Poetry and the Age,” published in 1953. He held the position of Consultant in Poetry to the Library of Congress from 1956 to 1958. He was also a member of the editorial board of American Scholar for eight years, beginning in 1957.
 
 In 1963 Jarrell's mental health started to take a turn for the worse. He was fighting with turning fifty and growing old. Then when John F. Kennedy was shot Jarrell just sat in front of the TV for days in a depressed state. After seeking professional help he was put on an antidepressant that left him with manic highs and lows. Jarrell published two children's books, “The Bat Poet,” in 1964 and “The Animal Family,” in 1965. He attempted suicide by slashing his wrists. While in the hospital he was taken off the antidepressant and his mental health looked to be improving.
 
 Jarrell’s finally book of poetry “The Lost World,” was published in 1965.  In the fall of 1965 Jarrell returned to teaching. One evening after therapy for his injured wrist Jarrell took a long walk on a busy highway next to the hospital. He was struck by a passing car and died instantly. Many of his friends believe it was suicide but the coroner ruled it as an accident.  Randall Jarrell died October 14, 1965, in Chapel Hill, North Carolina.
 
 The House In The Woods
 by Randall Jarrell
 
 At the back of the houses there is the wood.
 While there is a leaf of summer left, the wood
 
 Makes sounds I can put somewhere in my song,
 Has paths I can walk, when I wake, to good
 
 Or evil: to the cage, to the oven, to the House
 In the Wood. It is a part of life, or of the story
 
 We make of life. But after the last leaf,
 The last light--for each year is leafless,
 
 Each day lightless, at the last--the wood begins
 Its serious existence: it has no path,
 
 No house, no story; it resists comparison...
 One clear, repeated, lapping gurgle, like a spoon
 
 Or a glass breathing, is the brook,
 The wood's fouled midnight water. If I walk into the wood
 
 As far as I can walk, I come to my own door,
 The door of the House in the Wood. It opens silently:
 
 On the bed is something covered, something humped
 Asleep there, awake there--but what? I do not know.
 
 I look, I lie there, and yet I do not know.
 How far out my great echoing clumsy limbs
 
 Stretch, surrounded only by space! For time has struck,
 All the clocks are stuck now, for how many lives,
 
 On the same second. Numbed, wooden, motionless,
 We are far under the surface of the night.
 
 Nothing comes down so deep but sound: a car, freight cars,
 A high soft droning, drawn out like a wire
 
 Forever and ever--is this the sound that Bunyan heard
 So that he thought his bowels would burst within him?--
 
 Drift on, on, into nothing. Then someone screams
 A scream like an old knife sharpened into nothing.
 
 It is only a nightmare. No one wakes up, nothing happens,
 Except there is gooseflesh over my whole body--
 
 And that too, after a little while, is gone.
 I lie here like a cut-off limb, the stump the limb has left...
 
 Here at the bottom of the world, what was before the world
 And will be after, holds me to its back
 
 Breasts and rocks me: the oven is cold, the cage is empty,
 In the House in the Wood, the witch and her child sleep.
 
 
 Thank you all!
 Stormy Lady
   
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 The winner of "Stormy's poetry newsletter & contest"
  [ASR] is: 
 
 Her Masterpiece
 
 
 Melancholy fills the morning air
 Too many emotions disavowed
 As playful breezes flow through branches
 The gaze of the artist ponders mute clouds
 
 Deep sentiments she longs to share
 But the canvas is blank except for unseen art
 No brush has ever cooperated
 Or revealed the colors of her heart
 
 With boulders for her mountainside easel
 Resonant feelings begin to gush
 Head tipped to the side, she strums the strings
 As a painter would slide his brush
 
 Manuscript paper flaps in the breeze
 As her painting touches new frontiers
 Notes and melodies tell the story in her heart
 And the masterpiece draws ever near
 Yet never here
 
 One artist’s paint dries
 Another’s song is sung
 Whether or not we hear a reprise
 Undoubtedly another work is begun
 
 
 
 Honorable mention:
 
 
 
 
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