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  This week: Robert GravesEdited by: Stormy Lady   More Newsletters By This Editor
  
 
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 1. About this Newsletter
 2. A Word from our Sponsor
 3. Letter from the Editor
 4. Editor's Picks
 5. A Word from Writing.Com
 6. Ask & Answer
 7. Removal instructions
 
 
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 | This is poetry from the minds and the hearts of poets on Writing.Com. The poems I am going to be exposing throughout this newsletter are ones that I have found to be, very visual, mood setting and uniquely done.  Stormy Lady  | 
 
 
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 | The Cottage by Robert Graves Here in turn succeed and rule
 Carter, smith, and village fool,
 Then again the place is known
 As tavern, shop, and Sunday-school;
 Now somehow it’s come to me
 To light the fire and hold the key,
 Here in Heaven to reign alone.
 
 All the walls are white with lime,
 Big blue periwinkles climb
 And kiss the crumbling window-sill;
 Snug inside I sit and rhyme,
 Planning, poem, book, or fable,
 At my darling beech-wood table
 Fresh with bluebells from the hill.
 
 Through the window I can see
 Rooks above the cherry-tree,
 Sparrows in the violet bed,
 Bramble-bush and bumble-bee,
 And old red bracken smoulders still
 Among boulders on the hill,
 Far too bright to seem quite dead.
 
 But old Death, who can’t forget,
 Waits his time and watches yet,
 Waits and watches by the door.
 Look, he’s got a great new net,
 And when my fighting starts afresh
 Stouter cord and smaller mesh
 Won’t be cheated as before.
 
 Nor can kindliness of Spring,
 Flowers that smile nor birds that sing,
 Bumble-bee nor butterfly,
 Nor grassy hill nor anything
 Of magic keep me safe to rhyme
 In this Heaven beyond my time.
 No! for Death is waiting by.
 
 On July 24, 1895, Alfred Perceval Graves and Amalie von Ranke Grave welcomed son Robert Graves into their family. They lived in Wimbledon, close to London. Graves was one of ten children. Graves was greatly influenced by both his mother beliefs and by his father’s Celtic poetry. The last thing on Graves mind as a young man was poetry; he was adventurous and loved the outdoors. His love for poetry slowly grew over the years. He won a scholarship to study at St. John’s College, Oxford, but enlisted in the war instead. While enlisted he published his first collection of poetry, "Over the Brazier," in 1916. Graves added two more volumes while still enlisted. In 1918 he was severely wounded which sent him home.
 
 In January 1918, Graves married Nancy Nicholson, the couple had four children together. Graves and his family moved to Oxford where he took a position at St. John’s College. In 1927, Graves and Nancy separated ending their nine year marriage for good. Graves and his new love, Laura Riding, moved to Majorca and he continued his writing. The two wrote a few collaborations together and cofounded Seizin Press in 1928. In 1929 Graves published Goodbye to All That, it was an autobiography about his life and experiences while at war.
 
 In the early 1930's his poetry became more spiritually cathartic.  Graves claimed he only wrote novels to pay the bills. It was through these  novels that he was recognized as a writer. He published the historical novel "I, Claudius," in 1934 and its sequel, "Claudius the God and His Wife Messalina." These novels would be the inspiration for a BBC television show that aired in the 70's.
 
 In 1936, the start of  the Spanish War, Graves and Riding fled Majorca, to settle in America. Only a few years later, in 1939, Laura Riding left Graves for the writer Schuyler Jackson. In 1940 Graves began a relationship with Beryl Hodge that was to last until his death. It was in the 1940s, after his break up with Riding, that Graves came up with his personal mythology of the White Goddess. Inspired by late nineteenth-century studies of matriarchal societies and goddess cults, this mythology was found in his later work.
 
 At the end of World War II, Graves returned to Majorca with Hodge. Graves had gained  international reputation as a poet, novelist, literary scholar, and translator by the 1950's. In 1968 he received the Queen's Gold Medal for Poetry. During his lifetime he published more than 140 books, including fifty-five collections of poetry. Graves often reworked his, "Collected Poems," during his career.  He wrote fifteen novels, ten translations, and forty works of nonfiction, autobiography, and literary essays. In 1961 Graves returned to England to serve as a professor of poetry at Oxford. Graves left there in 1966 to return to Majorca.
 
 In the later years of Graves life, he was no longer productivily writing. Towards the end of  his life he was silent and lost his own mind. Robert Graves died in Majorca in 1985, at the age of ninety.
 
 The Caterpillar by Robert Graves
 Under this loop of honeysuckle,
 A creeping, coloured caterpillar,
 I gnaw the fresh green hawthorn spray,
 I nibble it leaf by leaf away.
 
 Down beneath grow dandelions,
 Daisies, old-man’s-looking-glasses;
 Rooks flap croaking across the lane.
 I eat and swallow and eat again.
 
 Here come raindrops helter-skelter;
 I munch and nibble unregarding:
 Hawthorn leaves are juicy and firm.
 I’ll mind my business: I’m a good worm.
 
 When I’m old, tired, melancholy,
 I’ll build a leaf-green mausoleum
 Close by, here on this lovely spray,
 And die and dream the ages away.
 
 Some say worms win resurrection,
 With white wings beating flitter-flutter,
 But wings or a sound sleep, why should I care?
 Either way I’ll miss my share.
 
 Under this loop of honeysuckle,
 A hungry, hairy caterpillar,
 I crawl on my high and swinging seat,
 And eat, eat, eat—as one ought to eat.
 
 The Frog and the Golden Ball by Robert Graves
 She let her golden ball fall down the well
 And begged a cold frog to retrieve it;
 For which she kissed his ugly, gaping mouth -
 Indeed, he could scarce believe it.
 
 And seeing him transformed to his princely shape,
 Who had been by hags enchanted,
 She knew she could never love another man
 Nor by any fate be daunted.
 
 But what would her royal father and mother say?
 They had promised her in marriage
 To a cousin whose wide kingdom marched with theirs,
 Who rode in a jeweled carriage.
 
 'Our plight, dear heart, would appear past human hope
 To all except you and me: to all
 Who have never swum as a frog in a dark well
 Or have lost a golden ball.'
 
 'What then shall we do now?' she asked her lover.
 He kissed her again, and said:
 'Is magic of love less powerful at your Court
 Than at this green well-head?'
 
 
 Thank you all!
 Stormy Lady
   
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 The winner of "Stormy's poetry newsletter & contest"
  [ASR] is: 
 
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"Halt!"
 
Horses come to a stop 
with a "huff" and a "snort" 
before the towering edifice.
 
Enchanted by melodious strains of Al-Khallool 
floating out across the desert sands, 
legion troopers fall into the web 
of its mystic charms.
 
Ancient scrolls tell the tale, 
scribbled in blood, 
about the Sultan's opulent lifestyle, 
manifested through succulent feasts 
and intoxicating indulgences,
 
contrasted against 
his brutal reign of terror,
 
until he abandoned his dominion 
under threat of death 
by the mighty jinn.
 
As years piled up, 
that palace became a haven 
for troubled souls 
who sought solace 
in their moonlit haunt. 
 
Today, those legion troopers 
contemplate the curse of neglect, 
apparent in that mystic mirage 
which the pulse of time 
has brought to meet 
eternity in all its glory.
 
 Honorable mention:
 
 
 
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