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Meet Woof, a pompous child; Dallas, a flamboyant aristocrat; and an unreliable narrator. |
First of all, welcome to Nevermindia. Youâd better make yourself at home, because you might be staying here for a while - in fact, for the rest of this story. You might want to know that weâre currently outside a mansion - a very grand mansion indeed. I am going to add some turrets and extra chimneys to emphasise my point. Thatâll give the owner a shock when he notices. He hasnât noticed yet, though, because heâs inside, along with our main character - speaking of which, I should be talking about our protagonist, not the building. So letâs move on. Our protagonist is in one of this houseâs many bedrooms, one of the smallest. If we just peek through this window here - -Oh dear. I didnât mean to shower them in broken glass. Ouch, one of themâs bleeding already - does that need stitches? Do I need to create a hospital, too? Um, letâs just say that never happened, and observe our pair in a more... classic way. That is, the narrator-esque way, in which you can stalk someone without them noticing and chronicle every single minuscule thing that they do. Not fun, but inevitable. Anyway, letâs start by watching the man. The man is tall and slender, especially because of his slim, elegant, neatly tailored (VIOLET!) waistcoat (indeed, he has absolutely no taste whatsoever). Dark hair (with too much gel) hangs almost casually over his smooth forehead (but you can tell it isnât that casual because of the gel), and his black, rectangular glasses hang precariously on the edge of his nose. These spectacles, however, do not hide his eyes. His eyes are like a girlâs. Thick, curly lashes frame their delicate shape, while their deep hazel colour gives them a (deceptive) air of innocence. These eyes are what our main character is now staring into, and I can (finally!) move onto his description. Our protagonist is, sadly, quite disappointing. For a start, he only reaches up to the manâs waist. He has chubby cheeks and an angelic ring of golden curls, and is nothing more than a boy. He is immaculately dressed for one so young - velvet crimson waistcoat, real gold buttons, plumed hat, et cetera, et cetera. Yet this extravagant beauty is unfortunately lost due to the demonic glare he is currently firing at the man sitting before him. Seriously. You can almost see the daggers shooting from his otherwise adorable chocolate eyes. The man is unfazed, though, which is almost a pity - after all, the boy is trying so, so hard to slaughter him with the power of his mind. But alas, it is not to be. The man stares at the boy with a nonchalant, patient expression, waiting for him to begin. (Oh, and for the record, the boy is currently sitting on a bed, his chubby little arms folded on his chest, plump lips twisted into a childish pout.) The boy arrogantly tosses his head, glowers at the man for a few more seconds, and finally declares, âI command you to tell me your name, scoundrel!â The intended effect of his words is completely destroyed due to his ridiculously high-pitched voice. Honestly. It sounds like a toddler screaming to be noticed at a conference (not that a toddler would be in a conference in the first place, thankfully). Even the man appears to be startled, and - oh, my - is that a faint hint of a SMILE there? He gives a polite cough to hide it, then sighs forlornly. Taking off his glasses, he slowly folds them, then starts playing with them between his fingers. Iâm getting really sick of calling him âthe manâ, so Iâll just make him oh-so-coincidentally blurt out his name soon. Not right now, though - thatâd be weird. When he speaks, his silky voice is neither warm nor patronising. âI believe it would be adequate if you told me your name first, young man.â The boyâs face positively reddens with rage. âHow dare you speak in such a manner to your superior! How DARE you!!â âSuperior?â The man glances up with calculated cynicism. âWhat do you mean by that?â âI am your superior!â âWhy so?â The boy stands, sweeping up a magnificent cloak, which he tugs free from between the mattresses it was caught between, and pompously sneers at the man (who is still taller than him, despite sitting down). âBecause, you villain, I am none other than Lord Woof Woofling the five thousand, nine hundred and twenty-seventh!â Even the serene man cannot help himself from bursting into laughter at this outrageously ridiculous name. I mean, Woof Woofling. And a lord. Thatâs just brilliant. He would never have thought of that. Woof is furious at the manâs helpless chuckling. He raises a bejeweled staff, which has magically appeared in his hand (courtesy of yours truly). âHow dare you scoff my superiority, you rascal!â The man is still hiccuping with laughter. âI... um... heh,â he manages, wiping tears from his eyes. âRight, hah, letâs um, move on, shall we?â He takes a few more steadying breaths, clears his throat, and his voice returns once again to its cool, calculated tone. He fiddles with his glasses some more. âSo, Woof... lovely name, by the way... now that weâve gotten past that, um, little misunderstanding, I guess I should also introduce myself.â A thin-lipped smile. âYou can call me Dallas.â Woofâs mouth twists into something akin to a smirk. âDallas? What sort of a name is that?â Speak for yourself! Dallas almost splutters, but manages to control himself. He is a fine, exemplary man. Heâd be perfect if he werenât secretly obsessed with baby squirrels, which he keeps in a corner of his bedroom in a very sophisticated series of tunnels. âIt is a name given to me by my deceased parents, and that I ask you to respect,â he replies instead, not a trace of exasperation in his gaze. He turns slightly to a table (which has also magically appeared) beside him, upon which lies a single sheet of paper with a series of indecipherable scribbles on it - because actually, his handwriting is so perfect that nobody else in the whole of Nevermindia can read it. âSo youâre ten years - â A strangled squawk, halfway between that of a shaven goose and microwaved donkey, cuts him off. Woofâs face has turned white with terror and his eyes bulge, staring in horror at the manâs hands. Now, this manâs family has unfortunately had a long, long history of heart disease, which I am inventing right now for plot purposes. Yes, both his grandfather AND his father have suffered from heart attacks, and theyâre both dead now. Therefore the sight of the miniature dragon abruptly spawning from his glasses might have stimulated a bit too much of a shock for poor, poor Dallas. His heart splutters, coughs, and, with a final complaint perched on its metaphorical tongue, stops. A myriad of expressions flit across this manâs usually calm face as he drops the dragon (which turns back into a pair of glasses as it hits the ground). Bewilderment, panic, confusion - his hand, clenched into a fist, flies to his chest; he gasps, then takes another breath, and another. He tries to take a fourth but canât. He oh-so-dramatically glances towards the heavens, his other hand reaching for some distant unknown figure, pain etched into every single one of his features... and finally collapses. Oh dear. What have I done? I appear to have just killed off one of the most important characters in my story. Ouch. This is not good. I admit I got a bit too carried away. My bad, my bad. I shouldnât have done that. Not to mention poor little Woof, sitting there watching a man die before him. That could have dreadful psychological repercussions. Um⌠Letâs rewind, shall we? âSo youâre ten years old.â Dallasâs glasses stubbornly refuse to become a dragon this time as he raises his beautiful girly eyes to Woofâs, quickly judging the boyâs character. Itâs another skill of his, and itâs very useful - almost as useful as his uncanny ability to tell whether or not someone has lilies in their garden, just by looking at them. He really can, I promise. A fierce pride burns in Woofâs eyes, along with withering contempt towards all those he deems beneath him (which is everyone). Dallas nods to himself. Heâs met people like this before - pampered, aristocratic brats. Should I really have taken him in? he wonders, slightly concerned. Heâll eat me alive before he accepts my help. I neednât bother. But Dallas, you DO have to bother. That is the whole POINT. This story would be USELESS if you didnât bother. This is all your idea, isnât it? Yes. Yes, it is. Donât ask me why. Did you have to make me take care of such a... problematic child? As a matter of fact, yes. And you know why? Because⌠because again, for plot purposes, you canât have children. Thatâs right. You are physically incapable of having children. Of course I canât. Thatâs obvious. What? Why? Iâm gay. ...Oh. Well, thatâs awkward. A screech suddenly cuts through the room - âWhat am I doing here?!â Oh, perfect timing, Woof! How, uh... coincidental. Yes. VERY coincidental. Dallas barely suppresses a sigh. (Oh yes, I know all of my charactersâ secret feelings.) âWhat do you mean?â âWHY am I so unjustly kept in this disgusting place?â Now, first things first, this house is NOT disgusting. Quite the opposite, in fact. All of its fabrics are of the highest quality, such as the sheets on the bed and the plush carpet - both of which Woof is ruining by being anywhere near them. Intricate details are carved into the mahogany bed: pictures depicting ancient stories of... um... dragons. And... and chameleons. And Hetalia. And if you donât know what Hetalia is, I will NEVER talk to you again. Dallas frowns. Not only has this impertinent fool insulted his home (which he is very proud of, him also being an aristocrat and all), but he is concerned by a sudden thought that this boy may actually not know why he is here. âAre you... aware of what happened yesterday?â Woof scowls. âWell, I was busy minding my own business, bossing my tutors about, and then suddenly some imbeciles came and dragged me away. I woke up and I was in here. YOU have a LOT of explaining to do, rascal!â Dallas places his glasses on the table, takes a deep breath, and meets Woofâs eyes. âIâm sorry, Woof, but your father passed away yesterday morning.â Now, when someone is informed of their fatherâs death, the usual response is disbelief and grief. Tears. Sobbing. Endless packets of tissues become a necessity. Not Woof, however. His eyes widen with shock, he blinks, and a slow, confused smile tugs his mouth into a charming grin. âSo - wait - now Iâm the new Earl of Woofford?â Startled, Dallas takes a moment to reply. âUh... I... I guess so.â âYES!!â Woof leaps to his feet and struts around the room, obviously delighted at the prospect of more power. His companion stares at him in disbelief. What is WRONG with this child?! Right. Things are getting boring. Itâs time to add something else to the scene. Um⌠I know! A kasa-obake! Well, Iâm half Japanese. Itâs inevitable. So yes. I have conjured a kasa-obake. Itâs a bit small, but itâll do, I guess. You can call it a âkarakasa-obakeâ if you want, although it doesnât make much of a difference. What are you looking at me like that for? All right, fine. Since Iâm aware you probably have no idea what a kasa-obake is, Iâll tell you a few things. âKaraâ sort of means âoldâ. âKasaâ means âumbrellaâ. And âobakeâ means âghostâ. If you add a massive yellow eye, a disgustingly wide mouth, a sweet little blue hat, a foot instead of a handle and a long, winding tongue, I think you can figure out the rest. The kasa-obake hops happily on the floor, blinking innocently at Woof and Dallas and licking its own hat. They are obviously staring at it in horror. Woof starts to scream. What exactly he screams cannot be repeated here for... moral reasons. Dallas is appalled, both at the loathsome creature and at the content of Woofâs shrieks. He hastily scrambles out of his chair (scrambles is a lovely word, isnât it?), snatches Woofâs sceptre, and viciously strikes at the poor kasa-obake. Unfortunately for him, the sceptre goes straight through it. It IS a ghost, after all. Even more unfortunately for him, the kasa-obake is now angry. It was in a good mood at first, but people trying to kill you (again) with sceptres isnât exactly the most lovely thing they can do. I have no idea if kasa-obake factually have any powers at all, but Iâm going to say this one does. Oh, yes. This kasa-obake, whom I shall name Fred, has the malevolent ability to... um... well, kill you with a well-aimed curse, I suppose. You canât get much more malevolent than that, can you? Fredâs curse is something like: âIsilvhb svt lkytuva bveoiuta letuya lakvu jethhhhhhhhhh!!â And for the record, before my more naive friends infuriatingly ask me, that is NOT Japanese. In fact it is as far from Japanese as possible. You know why? Because itâs pronounced âcardiganâ. Thatâs right - âcar-di-ganâ. In case you were confused. Which you might have been. So the now furious Fred faces Dallas, its one accusing, disconcerting eye glaring at him, and - to the pairâs untrained ears - spits âCARDIGAN! CARDIGAN!â over and over with particularly vicious intent. The first curse misses entirely and soars out of the open window (which I now slam shut), accidentally hitting a blade of grass instead, which dies, all alone. The second one, however, ricochets off a tall iron lampshade and hits Dallas straight in the back. His knees buckle, his face suddenly turning ashen as he tumbles onto the nicely carpeted floor. Fred, satisfied, disappears. Bright, glistening blood leaks from one of Dallasâs lovely, lovely eyes as he bites his lip to keep from crying out and NO, NO, NO! I have GOT to stop killing my characters! What is WRONG with me?! Do I feel SATISFIED now, eh? Why does repeatedly killing Dallas within my first chapter give me so much joy? Itâs sick. Itâs twisted. I disgust myself. I hereby refuse myself permission to kill him. Or Woof. Lonely blades of grass are fine, but not main characters, no, no, not at all. That is NOT acceptable. Please forgive me, and allow me to delete that untimely death. Again. Iâm sorry. Letâs pick up from before that mess occurred. ...I have no idea if kasa-obake factually have any powers at all, but Iâm going to say this one does. Oh, yes. This kasa-obake, whom I shall name Sprout, has the malevolent ability to... er... make flowers pour out of peopleâs mouths with a well-aimed curse. You canât get much more malevolent than that, surely? Fredâs curse is something like: âCardigan!â Which appears to be English. But oh, no - you couldnât be more wrong. In truth, that is pronounced âhaddockâ. Yes, âhad-dockâ. Just to clarify. Which isnât an English word either, but is in fact a curse in the ancient language of umbrellas. You learn something new every day. Sprout gets his revenge by striking Dallas with a truly well-aimed âCardigan!â, which the man obviously ignorantly misinterprets as âHaddock!â. The poor man doubles over and all sorts of different types of multi-coloured flowers start streaming from his helpless, open mouth. For good measure, rainbows and butterflies (and a few misplaced knives) also leap from it. Lovely, isnât it? In any case, Sprout, now satisfied, vanishes. Woof is disbelievingly gaping at the hapless aristocrat. The thought of helping the man never crosses his mind, which just goes to show that, well, donât spoil children. He just stares and stares at the growing pile of daffodils, tulips, roses, buttercups, bluebells, marigolds, violets, pineapples, knives and most certainly NOT lilies spilling all over the carpet. Meanwhile, it doesnât look like the curse is going to wear off anytime soon. Because Iâm bored, Iâm letting it continue to plague my character some more. After a few minutes itâs getting boring again, so I finally let it stop. To get rid of the mountain of flowers (et cetera), I hereby magically teleport them to the wedding of a woman who is also a gardener, making her very, very happy. Nobody can say I donât have a heart. [To be continued?] |