To all my friends at WDC: I haven't been online much since December and have had a lot going on, but I want to thank all of you that left a review for "B.R.A.T." ![]() Happy New Year everyone, hope you all had a wonderful Christmas ![]() -DW |
Okay! So, I have added the beginning of the book I'm working on to my portfolio. Changed the access restrictions so that now other people can see it. Was totally not nervous about that at all. I could use some feedback on it. I'm just getting started and I'd like to know what someone who hasn't read it before thinks. It's about a couple of kids living on a military base. Young adult. So if you like that kind of stuff, here it is. "B.R.A.T." ![]() |
So I was researching plots for different types of stories and my brain led me here: In short, a tragedy is a story where the story goal is not completed and the ending is bad for the protagonist. So say you have a story about character that will, eventually, die. But the story is not told from his/her prospective, but rather a different character, say the sibling or the best friend or the love interest. Which means that the person your story is about is not your protagonist. So even though said character's own story is a tragedy, is your book itself one? Because the actual protagonist witnessing this character's life does achieve their goal and thus doesn't live a tragedy. So the story isn't a tragedy? Even though it's about one? But what if the character that dies didn't necessarily live out a tragedy, because in their death they achieved their story goal? And because of this, the protagonist does not or cannot achieve theirs, essentially making the book a tragedy. But is it? Really? "Story Plots - Why They're Essential" ![]() This is what I was reading and there's a link at the bottom that takes you to a website about story structure. Trying to wrap my head around this. |
Just because the protagonist dies does not mean they are not the character whose perspective is the centre of the story. It does make it really difficult to tell the story from a first person PoV, but otherwise, why can't the main character die? I would argue Hamlet is told from the prince's PoV, and he dies at the end. Then again, the narrator character (whose name I forget) from Remarque's All Quiet On The Western Front dies, his death remarked basically as a two paragraph epilogue. So, yes, the tragedy can occur even in the PoV character dies. |
I have a little conundrum: I'm working on a piece that I'm not really ready to share with anyone. A book (someday) that's still a rough draft. But as I add things to it, I keep going back and reading what's been written to try to smooth things over a little, make sure everything sounds okay. Yet, each time I do that, the more rough it seems, if you know what I mean. Any advice? |