Hi
flyfishercacher
Let's break down Scene 11 Rev B, "Just Us Girls," focusing on its effectiveness as Viviana's characteristic moment and the hook for her arc.
Overall Impression
This scene clearly establishes Viviana's personality and her initial approach to life, particularly her tendency to use others to achieve her goals. It effectively introduces her as the antagonist to Torey and sets up her arc. The dialogue feels authentic for teenage girls, and the dynamics between the three friends—Vivi the leader/manipulator, Brigit the eager sidekick, and Ishma the skeptical moral compass—are well-defined. The setting details, particularly the heat and the train, add a nice layer of sensory experience.
Strengths
* Viviana's "Characteristic Moment" and Arc Hook: This is the scene's strongest element.
* Manipulation: Vivi's immediate thought to "get Torey Campbell to write it for me!" (line 66) is a brilliant, concise reveal of her core characteristic. This is reinforced by her internal monologue at the end (line 105): "Yep. I’ll get Torey Campbell to write that stupid science paper for me. Gotta work on meeting his friends too." This is her antagonist hook.
* Priorities: Her dismissal of Ishma's practical concerns about the future ("Get married," line 44; "That’s too far away to think about," line 90) highlights her present-focused, somewhat shallow perspective, further defining her character.
* Influence on Friends: She clearly holds sway over Brigit, who readily agrees with her, and even manages to wear down Ishma to a degree.
* Distinct Character Voices:
* Viviana: Comes across as cunning, a bit self-centered, and focused on immediate gratification.
* Ishma: The "skeptic" role is well-played. She's the voice of reason, concern, and morality, often challenging Vivi and Brigit. Her internal thought at line 58 ("secretly pleased that Viviana might actually have to produce something on her own") is a great touch.
* Brigit: The "sidekick" is perfectly captured—eager for fun, boy-crazy, and easily influenced by Vivi. Her "morbid humor" (line 65) adds another layer.
* Pacing and Flow: The dialogue feels natural and moves the scene along effectively. The girls' conversations jump between topics (boys, science, future plans) in a realistic teenage fashion.
* Sensory Details: The descriptions of the heat (lines 33, 64, 79), the "effective oven" (line 33), and the omnipresent train (lines 93-94, 98, 106) ground the scene in a tangible environment. The train, in particular, becomes a strong recurring element that subtly emphasizes the setting's characteristics.
* Setting the Stage for Conflict: The mention of Torey, the science team, and Vivi's immediate intention to manipulate him sets up a clear conflict for their relationship and Viviana's arc.
Areas for Refinement
* Show, Don't Tell - Character Descriptions: While some physical descriptions are good (Vivi's freckles, Brigit's build, Ishma's boobettes), some lines tell us about their personalities rather than showing them through action or dialogue.
* Line 2: "Though ruffled by the boys’ crudeness, they enjoyed the attention. Just entering their teen years, the girls were not accustomed to that kind of behavior. Still, it tickled them." This is a lot of telling about their internal state. Can this be conveyed more subtly through their reactions?
* Line 88: "Ishma, the shortest of the three, tended to let Viviana be the natural leader. But when she had a point, she was not shy about making it." We see this throughout the scene, so this direct statement feels redundant.
* Line 59: "Ishma Jacob was the smallest of the three. Her chunky body was less busty than Viviana’s. In fact, her newly acquired boobettes were barely visible under her plain blouse." While descriptive, "chunky body" feels a little harsh given the overall tone.
* Information Dump - BNSF Railway: Lines 93 and 94 provide a substantial amount of technical detail about the BNSF Railway. While the train is a good environmental element, this level of specific information about its operations, number of employees, miles of track, and corporate mergers feels out of place for a scene focused on teenage girls. It pulls the reader out of the moment and doesn't serve the immediate narrative purpose of the scene. The "duopoly" detail is particularly jarring. Keep the focus on how the train impacts the girls (noise, blocking streets), not a factual report on the company.
* Clarity/Redundancy in Dialogue:
* Lines 10, 11, 12, 14, 15: The back-and-forth about Dr. Henderson versus "the boy" (Torey) is a bit extended. While it shows Brigit's distraction, it could be slightly streamlined without losing the humor or character beat.
* Line 27: "Are you serious," exclaimed Ishma, taking the words out of Vivi’s mouth." This is a common phrasing, but consider if Vivi's reaction alone (line 26) is enough to convey her surprise, or if Ishma's line can be rephphrased to show her reaction without explicitly stating she took words out of Vivi's mouth.
* Minor Sentence Structure/Word Choice:
* Line 1: "gawped Ishma." "Gawped" feels a little strong for the context of a simple question. "Asked," "replied," or "exclaimed" might fit better depending on the intended delivery.
* Line 17: "On her ruddy complexion, the freckles were the marks of little fairies called brownies." This is a very specific and somewhat whimsical description that might feel a bit out of place with the grounded tone of the rest of the scene.
* Line 36: "defeated but amused with the idea." This is a good internal beat for Vivi. Perhaps consider if her amusement could be shown more explicitly.
* Line 69: "seethed Ishma, first on the moral grounds, and second for the idea that Viviana might again escape having to take responsibility." "Seethed" is good, but the second part of the sentence is quite expository. Her "seething" should convey her internal conflict.
Specific Line Edits/Suggestions (Optional)
* Line 2: Instead of telling, show them enjoying the attention. Maybe they subtly preen, glance back, or giggle. "Ishma Jacob, Brigit Fogarty, and Viviana Tessaro crossed Fletcher Avenue and casually walked east on Archer Boulevard. Though the boys' crudeness ruffled them, a spark of amusement, unfamiliar but not unwelcome, flickered between the newly minted teens." (Still a bit telling, but leaning more towards showing internal sensation).
* Line 17: Consider simplifying: "On her ruddy complexion, Brigit's freckles seemed to dance, hinting at her Irish heritage." or just focus on the visual.
* Line 31: "So what. That’s the way guys are," responded Brigit, dismissively, "You can’t take it seriously." Perhaps: "So what? That's just how guys are," Brigit shrugged. "You can't take it seriously."
* Line 59: "Ishma Jacob was the smallest of the three. Her newly acquired boobettes were barely visible under her plain blouse." (Removes "chunky body" and focuses on the "boobettes" detail).
* Lines 93-94: Condense significantly. Focus on the impact of the train. "The familiar rumble of a huge, slow-moving freight train greeted the girls as they reached Railway Road. Pulled by a double locomotive, the BNSF train crawled through Allerford, blocking streets for miles and sounding its whistle at every crossing, a daily disruption to life here." (Removes the corporate details, focuses on the train's presence and effect).
* Line 100-101: This is interesting background, but the phrase "Unknown to both Torey Campbell and Viviana" is a very authorial intrusion. This information might be better placed elsewhere if it's important for the reader to know, or revealed through other means later. For this scene, it can likely be cut.
Conclusion
This scene is a strong foundation for Viviana's character and her story arc. It's lively, the characters are distinct, and the central conflict (Vivi's manipulation of Torey) is clearly established. The primary recommendation for improvement would be to minimize the authorial intrusion and information dumps, especially regarding the BNSF, allowing the character interactions and subtle cues to carry more of the narrative weight. The scene effectively serves its purpose as Viviana's characteristic moment and a hook for her journey.
What are your thoughts on these suggestions? Do you want to dive deeper into any specific aspect of the scene?
sindbad |